Capturing
innocence
by Liz
Barry
In my travels across the world, I have seen
some amazing sights and the camera has been my tool
for
recording these various scenes. It is an instrument to break down
the barriers and open the doors,
which I
could never have imagined entering.
I have been fortunate to spend several months
in some countries as an Expedition Photographer.
Months
instead of days affords me time to get to know my subjects, the landscape
and the light. Being
in a
country for a period of time is a great opportunity to learn more about
the place and it's people as
you work
and live alongside them.
Wherever I visit I am always drawn to
photograph the children. With a smile, a word or two
in
the local
language, some hand gestures and the willingness to sit and spend some
time, pictures will
evolve. The children are as curious about me as I am about
them. It is inevitable that a crowd will
gather and
there will certainly be one amongst them who will pose for a shot and then
it becomes a
game and
other children will want to have their photo taken. I let the
children look through the
viewfinder
so they will know what I am doing, even press the shutter and take a
picture of themselves.
Gaining
their trust by giving something of yourself brings its own special
reward. It provides the
opportunity
to look around, searching for that one special face that has something
very special to say.
It could be
an expression, it may be a mannerism shy and unassuming or a look of
sadness carried
in their
eyes.
This young girl caught my attention as
she
I was drawn to the pair of sparkling eyes,
seemed so
alone, just sitting head in
hands,
which captures your gaze. She is shy, a hand
sad heavy
eyes lost in a world of her
own
grips the corners of the scarf, but she is curious
thoughts.
enough to peek and tease, as you know that
beneath lays a hidden
smile.
As you observe, one or more of these elements
catch your eye. Then the shot you've been
looking for
comes together. If a parent is around, I will ask permission
to take a photograph and
should
anyone object, because of his or her cultural beliefs, I always respect
that. I would say that
you have to
be confident in approaching people so you can put them at ease and build a
rapport.
I would
never make a person feel uncomfortable should they not wish their photo to
be taken. I
will
respect that too. But, I find that most people and children will
pose for you and gain something
from the
experience. You have to give something of yourself in exchange for
that image that holds
your
attention.
It was early
morning in the village of Halam in Oman.
This young boy was just standing on a raised mound
watching us. His face was stern, not giving away
any emotions. I approached with my camera, smiled
and gestured if I could take his photo. He stood
stock
still and the beautiful morning light lit up the mountains
contrasting his deeper complexion.
At the foot of an escarpment in southern Oman,
stood a village only accessible by boat. The
younger
children were both afraid and fascinated by our arrival - their first
sighting of fair skinned
people. Shyness was soon overcome by curiosity when our
early excursions to the village were turned
into a
scene from the Pied Piper as an army of bare footed children followed in
our wake, as we
returned to
our tented beach camp. Over the days they got bolder. It was
an opportunity to use the
English
learnt at school, the boys to play football and all to feast on packets of
cream crackers -
a mainstay
of our rations.
In Brunei, settlements exist in the heart of
the rain forest, whose ancestors were headhunters.
Today's
children step between two worlds, learning the ways of the jungle,
participating in the hunter,
gatherer
traditions alongside 21st Century living. They attend school, but
the past is never forgotten,
as the oral
history is passed down through the generations.
Throughout the Atlas Mountains of Morocco,
where the Berber tribes people live, their mud
brick
dwellings cling precariously to the mountainsides. Like mountain
goats, the children race
surefooted
across the slopes calling out to one another. It is a world devoid
of toy stores, bicycles
and Barbie
dolls, but one where children's imagination, knowledge of nature and the
reality of survival
all play a
vital role.
In Alaska, I've watched children playing on a
beach at the edge of the arctic in the eerie light of
the
midnight sun, their games lasting beyond a normal bedtime - so much to fit
in before the long
months of
darkness which lie ahead.
The face of a
Inuit Boy
smiles
Every July in Fairbanks Alaska, the Eskimo
through the hood of his fur trimmed
parka
olympics takes place, a celebration of the
as he stands on the edge of the arctic
Ocean,
games. An Inuit girl dressed in furs enjoys
Barrow,
Alaska
a refreshing beverage as she watches.
Though children are all around us,
sometimes we don't see them. They may be far away in
another
land,
brought up in a culture different to our own. But when we look into
a child's eyes, you can see
they want
something from the world. In their eyes we search to see HOPE,
beauty and a bright future.
But on some
occasions the look conveys loss, sadness and pain. Our hopes for
tomorrow lie in all
children,
because we connect and are transported back to our own childhood, when
anything seemed
possible.
My
favorite lens is 100mm and I use fill flash for a catch light in my
subjects eyes. Working up close
with my subjects, I will ask them to turn
their head or move to a different background if the
opportunity permits. Though on many
occasions it is just the one shot I will take. But this will arise
from watching my subjects before I
approach them. I like people, and this could be what shows
through in my images, as it would be no
use photographing a subject that didn't move you.
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